![]() ![]() However, to better understand the function of games regarding cultural sites, a systematic literature review, focusing on this narrower area, was conducted. Their application in the field of cultural heritage has been examined in literature reviews preceding the thesis. Afterwards, current approaches integrating games with learning purposes are In particular, its basic scope was the creation and evaluation of a collaborative narrative-based game, which can communicate cultural content, in formal and non-formal educational settings.įirst, the notions of play and games, which constitute overarching concepts in this thesis,Īre defined. The subject area of the present thesis concerns the use of serious games in the domain of cultural heritage. The linking among different datasets allows to considerably enrich the knowledge collected in the IMAGO KB. Wikidata, the MIRABILE digital archive, the Nuovo Soggettario thesaurus, Mapping Manuscript Migration knowledge base and the Pleiades gazetteer. ![]() In particular, the linked information spaces created within the IMAGO project make use of five different datasets, i.e. In the presented case study, a linked information space was created to allow users to discover and navigate knowledge across multiple repositories, thanks to the extensive use of ontologies. To support the argument, we present our experience in developing a scientific DL supporting scholars in creating, evolving and consulting a knowledge base related to Medieval and Renaissance geographical works within the three years (2020–2023) Italian National research project IMAGO-Index Medii Aevi Geographiae Operum. This paper presents how the current scientific DLs in the DH field can provide the creation of linked information spaces and navigational services that allow users to navigate them, using Semantic Web technologies to formally represent, search and browsing knowledge. In several cases, to reach these aims the Semantic Web technologies and Linked Data have been used. These DLs aim at sharing the research outcomes, in several cases as FAIR data, and at creating linked information spaces. In the last years, several scientific digital libraries (DLs) in digital humanities (DH) field have been developed following the Open Science principles. Narratives constructed through Storyspace can be tailored to suit different audiences and can be presented in different forms, such as physical exhibitions, museum tours, leaflets and catalogues, or as online experiences. Based on the curator's choice, the narrative module suggests a coherent ordering for the events of a story and its associated heritage objects. We describe how the narrative component of the Storyspace software can produce multiple narratives from the underlying stories and plots of curated exhibitions. Storyspace is a web interface to an ontology for describing curatorial narratives. ![]() These authorial decisions can produce different dramatic effects. This paper describes techniques for creating multiple alternative narrative structures from a single underlying story, by selecting different organising principles for the events and plot structures of the story. ![]() The same underlying story can be presented in a number of different ways. In a curated exhibition of a museum or art gallery, a selection of heritage objects and associated information is presented to a visitor for the purpose of telling a story about them. ![]()
0 Comments
![]() ![]() ![]() He also produced various furnished interiors from which only two tables survive ( Minneapolis, Institute of Fine Arts Amsterdam, Rijksmuseum), complex marble chimneypieces (such as the one at Burghley House, Lincolnshire), and a pioneering painted Egyptian interior for the English Coffee House in Rome (destroyed in the nineteenth century). Through the pope and members of the Rezzonico family Piranesi received commissions to carry out these ideas in reconstructing the Order of Malta's church in Rome, Santa Maria del Priorato (1764 –1765), together with designs for an unexecuted tribune for S. In response to criticism by the French critic Pierre-Jean Mariette, in 1765 Piranesi issued the manifesto Parere su l'architettura (Opinions on architecture), which advocated a highly eclectic system of design inspired by ancient Rome in contrast to the radically astringent taste supported by Greek revivalists such as Marc-Antoine Laugier, Julien-David Le Roy, and Johann Winckelmann. With the election of the Venetian Pope Clement XIII (reigned 1758 –1769), the 1760s became a golden age of patronage for Piranesi, who won financial support for a series of impressive polemical folios: Della magnificenza ed architettura de' Romani (1761 Concerning the magnificence and architecture of the Romans) Il Campo Marzio dell'antica Roma ( 1762 The Campus Martius ofĪncient Rome), and others. His four-volume treatise, Le antichit à romane (1756 The antiquities of Rome), pioneered new archaeological methods and techniques of illustration, and its publication quickly won him international recognition he became a leading protagonist for Rome in the furious controversy provoked by the excessive claims of Hellenic originality by promoters of the Greek revival. His personal contact with visiting designers such as William Chambers, Robert Mylne, George Dance, John Soane, and, above all, Robert and James Adam, enabled him to exert a critical influence on the development of avant-garde British architecture.ĭuring the 1750s archaeology became increasingly important to Piranesi. By these means Piranesi was to exercise a seminal influence on visiting artists, architects, and patrons in Rome over the course of nearly four decades. Such was the intention behind his first publication, Prima parte di architetture e prospettive (1743 Part one of architecture and perspectives) as well as a group of arcane prison compositions, Carceri d'invenzione (c. ![]() Piranesi's main creative energies were concentrated on developing the architectural fantasy, or capriccio, as a device for formal experiment, creative release, and a stimulus for contemporary architects, whose designs he thought had failed to measure up to the ruined grandeur around them. These theatrical images were to generate a highly charged emotional perception of the Eternal City and its environs that has lasted to the present day. Around 1748 he began to issue his magisterial views of Rome, Vedute di Roma (135 plates), which he published individually, or in groups, throughout the rest of his career. As a graphic artist of genius he was to transform the mundane topographical view into a highly sophisticated means of architectural communication -based on a strongly practical understanding of ancient technology -as well as a vehicle of powerful emotional expression. Moving in 1740 to Rome, where he spent the larger part of his life, a lack of practical commissions led him to develop skills in etching souvenir views, or vedute, for the grand tour market. The son of a stonemason and master builder, he spent his first twenty years in Venice training in architecture and stage design, and was strongly influenced by the local tradition of topographical art represented by Canaletto and the etched fantasies of Marco Ricci (1676 –1729) and Giovanni Battista Tiepolo (1696 –1770). By means of over a thousand etched plates and his theoretical defense of creative fantasy, Piranesi revolutionized the European perception of Roman antiquity and exerted a major influence on many of the leading architects and designers of European neoclassicism. PIRANESI, GIOVANNI BATTISTA (1720 –1778), Venetian architect, engraver, and archaeologist. ![]() ![]() ![]() It is also expected from Delivery Drivers to make sure that the delivery vehicles are well maintained before and after the shift. The orders must be delivered correctly and on time in a very courteous manner. Delivery Drivers are also expected to know how to read a basic road map. Punctuality and honesty is the attitude required from applicantsįor this position. Stay tuned to our menuswithprices.The main responsibility of Domino's Pizza Delivery Driver is to deliver the orders to theĭesignated locations on time. ![]() For current prices and menus information of your favorite food, kindly do contact the restaurant directly near you. * DISCLAIMER: This is all about the Dominos Pizza Menu Information shown on the website are approximate values taken average from all the restaurant chain location, this may not cover most recent changes. Stuffed Cheesy Bread with Bacon & Jalapenoįat-Free Raspberry or Balsamic Vinaigrette Specialty Chicken – Spicy Jalapeno – Pineapple Specialty Chicken – Crispy Bacon & Tomato Wings Flavors: BBQ, Hot, Sweet Mango Habanero, Mild, and Plain Ultimate Pepperoni Feast (Gluten Free Crust) Ultimate Pepperoni Feast (Brooklyn Style) Ultimate Pepperoni Feast (Hand Tossed, Thin Crust or Brooklyn Style) Ultimate Pepperoni Feast (Hand Tossed, Handmade Pan or Thin Crust) Ultimate Pepperoni Feast (Hand Tossed or Thin Crust) MeatZZa Feast (Hand Tossed, Thin Crust or Brooklyn Style) MeatZZa Feast (Hand Tossed, Handmade Pan or Thin Crust) MeatZZa Feast (Hand Tossed or Thin Crust) Memphis BBQ Chicken (Hand Tossed, Thin Crust or Brooklyn Style)Īmerica’s Favorite Feast (Hand Tossed or Thin Crust)Īmerica’s Favorite Feast (Hand Tossed, Thin Crust or Brooklyn Style)Īmerica’s Favorite Feast (Brooklyn Style)Īmerica’s Favorite Feast (Gluten Free Crust)īacon Cheeseburger Feast (Hand Tossed or Thin Crust)īacon Cheeseburger Feast (Hand Tossed, Thin Crust or Brooklyn Style)īacon Cheeseburger Feast (Brooklyn Style)īacon Cheeseburger Feast (Gluten Free Crust)ĭeluxe Feast (Hand Tossed, Thin Crust or Brooklyn Style)ĮxtravaganZZa Feast (Hand Tossed or Thin Crust)ĮxtravaganZZa Feast (Hand Tossed, Handmade Pan or Thin Crust)ĮxtravaganZZa Feast (Hand Tossed, Thin Crust or Brooklyn Style) Memphis BBQ Chicken (Hand Tossed, Hnadmade Pan or Thin Crust) Memphis BBQ Chicken (Hand Tossed or Thin Crust) Pacific Veggie (Hand Tossed, Thin Crust or Brooklyn Style)Ĭali Chicken Bacon Ranch (Hand Tossed or Thin Crust)Ĭali Chicken Bacon Ranch (Hand Tossed, Handmade Pan or Thin Crust)Ĭali Chicken Bacon Ranch (Hand Tossed, Thin Crust or Brooklyn Style)Ĭali Chicken Bacon Ranch (Brooklyn Style)Ĭali Chicken Bacon Ranch (Gluten Free Crust)įiery Hawaiian (Hand Tossed or Thin Crust)įiery Hawaiian (Hand Tossed, Handmade Pan or Thin Crust)įiery Hawaiian (Hand Tossed, Thin Crust or Brooklyn Style)īuffalo Chicken (Hand Tossed or Thin Crust)īuffalo Chicken (Hand Tossed, Handmade Pan or Thin Crust)īuffalo Chicken (Hand Tossed, Thin Crust or Brooklyn Style) Pacific Veggie (Hand Tossed, Handmade Pan or Thin Crust) ![]() Pacific Veggie (Hand Tossed or Thin Crust) Philly Cheese Steak (Hand Tossed, Thin Crust or Brooklyn Style) Philly Cheese Steak (Hand Tossed, Handmade Pan or Thin Crust) ![]() Philly Cheese Steak (Hand Tossed or Thin Crust) Honolulu Hawaiian (Hand Tossed, Thin Crust or Brooklyn Style) Honolulu Hawaiian (Hand Tossed, Handmade Pan or Thin Crust) Honolulu Hawaiian (Hand Tossed or Thin Crust) Wisconsin 6 Cheese (Hand Tossed, Thin Crust or Brooklyn Style) Wisconsin 6 Cheese (Hand Tossed, Handmade Pan or Thin Crust) Wisconsin 6 Cheese (Hand Tossed or Thin Crust) Spinach & Feta (Hand Tossed, Thin Crust or Brooklyn Style) Spinach & Feta (Hand Tossed, Handmade Pan or Thin Crust) Spinach & Feta (Hand Tossed or Thin Crust) ![]() ![]() ![]() it's written with stealth and style, doubtless shaped by his co-writer, Rich Cohen. Although it's packed with stories he's surely been telling at dinner forever, the book is also a modest set of guidelines for how you too can be a successful mogul. Credit for the easy-to-read style goes to Rich Cohen, a contributing editor at Vanity Fair magazine who turned Weintraub's tales into a breezy first-person narrative."-Rick Warner, Bloomberg News "When I Stop Talking is anything but a rote, let-the-record-show memoir. All the stories are told in Weintraub's shooting-the-breeze voice. And the 72-year-old impresario has some amazing stories to tell. With a bold voice, a storied career, and a cast of superstars, Weintraub's memoir makes a rousing insider tour of some five decades in the entertainment industry."-Publisher's Weekly "As the title of the book indicates, Weintraub loves to talk. Even the lows are enviable."-Nathaniel Rich, VANITY FAIR "Edgy and honest but refreshingly spare in his criticism of stars, colleagues and family. If there was a Mount Rushmore of legendary show business figures, he'd be one of them."-Don Imus "It reads at times like a screenplay: a rags-to-riches tale complete with stunning reversals of fortune, punchy dialogue, and star cameos galore. ![]() So, pick up your copy of When I Stop Talking, You'll Know I'm Dead by Jerry Weintraub. This story isn't just for music or movie lovers, or 's for everyone. Jerry's story chronicles his journey that involved a lot of improvising, love, and of course, luck. His life has put him in the company of greats like Elvis Presley, Frank Sinatra, The Rat Pack, Robert Altman, and Steven Soderbergh, to name a few. Jerry has bloomed wherever he's been planted. He's a great producer, a great organizer, a great friend, and truly the greatest showman on earth."-George Clooney "Jerry has made a fascinating career for himself by finding ways to put on a show and sell tickets at the door. He doesn't just light up a room, he lights it on fire. And when it comes to friendship, he has no peers. When it comes to charities, nobody guilts better. When it comes to work, nobody works harder. He's funny and grumpy and perfectly inappropriate. The book, which is in no way a scandalous, showbiz tell-all, but a good-humored, and often self-deprecating romp of outrageous will and amazing fortune, also paints a picture of uncanny bliss."-Nicole LaPorte, The Daily Beast "Now, I could tell you stories about Jerry, but Jerry is the first and best to tell them. ![]() And boy does he have stories to tell."-People Magazine "Old chestnuts from this journey are lovingly, and often hilariously, burnished in Weintraub's new memoir, When I Stop Talking, You'll Know I'm Dead. a gripping personal story."-Entertainment Weekly "This is a guy who can tell a story. And his latest venture sounds like a sure thing-an autobiography, pithily titled When I Stop Talking, You'll Know I'm Dead: Useful Stories from a Persuasive Man. "Weintraub knows a thing or two about placing bets. The stories he tells and the lessons we learn are essential ones, not only for film buffs and music fans, but for businessmen, entrepreneurs, artists, or anyone at all who's ever had a dream and the moxie to make it happen. Bush, George Clooney, and country singer George Strait all have Jerry on speed-dial - because Jerry is the guy you call when you want what money can't buy. The world is very small when you get to the top.' George H. As he sees it, 'There is no difference between politics and Hollywood. ![]() Less celebrated, however, is Jerry's work behind the scenes as confidant to presidents and titans of finance. The last of the great Hollywood moguls, Jerry is probably best known as the producer of such classic films as Nashville, Diner, Oh, God! and The Karate Kid, as well as the more recent Oceans 11, 12, and 13, which have together grossed over a billion dollars. A fast-talking wise-ass from the Bronx, Jerry Weintraub became a millionaire at 26 by handling some of the biggest acts in show biz, most famously Elvis Presley and Frank Sinatra. ![]() ![]() More technically, this is an octal representation of a bit field – each bit references a separate permission, and grouping 3 bits at a time in octal corresponds to grouping these permissions by user, group, and others. each sum represents a specific set of permissions. These values never produce ambiguous combinations. The execute bit adds 1 to its total (in binary 001).The write bit adds 2 to its total (in binary 010), and.The read bit adds 4 to its total (in binary 100),.Each of the three rightmost digits represents a different component of the permissions: user, group, and others.Įach of these digits is the sum of its component bits As a result, specific bits add to the sum as it is represented by a numeral: This notation consists of at least three digits. d r-x - a directory whose user class has read and execute permissions and whose group and others classes have no permissions.Īnother method for representing permissions is an octal (base-8) notation as shown.c rw- rw- r- a character special file whose user and group classes have the read and write permissions and whose others class has only the read permission.- rwx r-x r-x a regular file whose user class has full permissions and whose group and others classes have only the read and execute permissions.The following are some examples of symbolic notation: x if execution is permitted, - if it is not. ![]()
|
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |